Shoreham Airport Station

Bungalow Town Halt was opened in 1910 to serve the growing community of Shoreham Beach and the holiday camps at the Saltings. Latterly it was to serve the aerodrome immediately to the North, and station signage reflected this. The station was located 30 feet to the East of the rail bridge spanning New Salts Farm Road. It comprised two simple wooden platforms North and South of the tracks and wooden shelter. These were accessed by a steep footpath up the embankment from New Salts Farm Road. The station closed in 1933.

The station reopened as Shoreham Airport station in July 1935, principally to serve the new terminal building of Shoreham Airport. However after only 5 years the station was closed in July 1940.

Tragedy in 1934

On August 19th 1934 Southern Railway Policeman PC Alfred Haynes, based at Brighton, had been assigned as part a contingent to police the Bungalow Town station during an air display event (possibly Alan Cobham’s Flying Circus 1934 Tour over the 18th and 19th). He was on duty on the platform at Bungalow Town Halt . The station was over-crowded during the air display and as he attempted to clear people on the platform he was struck and killed by a through train travelling at 45mph. His body was propelled some distance up the track.

Footnote: The records state this to be 1934 and that ties in with a known flying event. However the Bungalow Town station had closed the previous year – not to reopen until 1935. So why were people on the platforms requiring police to manage the crowds? Perhaps they were locals who had decided to view the air displays from the elevated platforms without paying to enter the aerodrome itself? It is known that previous air displays had resulted in large fences being erected along the river towpath to obstruct views of the locals. (you can still see the holes in the towpath that may have held the fence structure in place). If the first day (18th) of displays had seen unmanageable crowds on the now redundant station platform then it would be likely that Southern Railways deployed policemen to prevent a reoccurrence on the second day. This would explain why the platform was crowded despite there not being a stopping train.

1950 Overlays denote position of platforms and approach paths of former station ©Britain From Above
2020 Southern approach to New Salts Farm Road bridge under South Coast rail tracks. Pedestrian access to the downline would be up bank on the right ©Google

The AlanCobham’s Flying Circus 1934 Tour as displayed a few months later at Shoreham

The Clocks of St Mary’s

The church records show that the wooden, diamond shaped clock was first fixed to the south wall of the tower in 1828. However there is earlier evidence of a clockface on St Mary’s tower in the John Butler Sketch of 1786 and a watercolour of 1782. It is recorded that that face was moved and installed higher up in 1862. The East and West faces were added in 1898 – they are differentiated by their slightly convex blue faces. The South face had disappeared between 1898 and 1937 when it and the North face were installed – flat but thicker clockfaces. So it is only post-1937 that all four faces were evident.

1786 Sketch with the church tower with, inset, an enlargement of the shape at the belfry window and detail from a 1782 watercolour
Note the South face diamond shape clock. Watercolour painting by F. Nash (1782-1856) 
Continue reading “The Clocks of St Mary’s”

Tally Ho Launch – 6 years project

Many of you will know of the monumental project to rebuild “Tally Ho”, who’s origins were at the old Stow’s shipbuilding yard at the bottom of East Street. She was built in Shoreham in 1910 as the “Betty” and had a varied career including completing the Fastnet race in 1927, traversing the globe, being wrecked in the Americas and eventually laying as a hulk for decades in the US. In 2018 she was rescued by Leo Goolden who set about rebuilding her to sail again. That project became a 6 year YouTube sensation that culminated this month with the re-launch of Tally Ho.

https://www.youtube.com/@SampsonBoatCo/videos

The history of Tally Ho (Betty)

From Garden Close to Downside

The first part of Shoreham Garden City at Greenways Crescent

From Garden Close to Downside

Alan Lambourne has kindly allowed us to publish his memoirs of growing up in Shoreham in the 40’s 50’s and 60’s. He recounts the stories of his family running Lambourne’s Butchers in Upper Shoreham Road, and of his early years at Garden Close (Kingston by Sea) and Downside. A witty and lively style of writing illuminates the stories during an idyllic time when family came first and only the best sausages were on the table.

Click above to view the PDF on mobiles.

Film compilation of Shoreham

click to play

Shoreham Airport – Shoreham Peeps (1962)
Railway station and traffic on the streets – A River Runs Through Our Town (1962)
The beach and boats on the water – Shoreham Peeps (1962)
The harbour, followed by shops in the town including a butcher, postman, dustman and policeman – A River Runs Through Our Town (1962)
Winter scenes in the town centre – Shoreham Peeps (1962)

Mystery painting

Fisherfolk on a Tidal Estuary 1874, Shoreham by James Webb 1825 – 1895
Could this be the viewpoint?

Nelson writes:
I’m sure we discussed this painting some years ago on the old web site without coming to any real conclusion as to its exact location. Assuming the content is not artistic licence then the view almost fits the history we have of one part of the Shoreham river front area. The windmill could be the one that stood on Mill Green at Ropetackle and behind it rising ground in the distance that may be Mill Hill; the town to the right and the timber work in the foreground is perhaps where the flood arch is now.

There are two question marks of this though.
The Norfolk Suspension Bridge had been well and truly built by the time the artist painted it and (if it is this area) should have featured as the centre piece of the painting so why has he masked the bridge with the boats’ sails?
The Ropetackle mill (we know it was a post mill and the painting confirms this) and the land it was on was sold in 1790 to Daniel Roberts who built a large granary on it. This had burned down by the 1820’s but could it be that the windmill was at a distance from the granary and still standing at the time of the painting – it certainly looks dilapidated with only two sails?

Thoughts and suggestions in comments below